Mozart: Le Nozze di Figaro, Countess Rosina Almaviva
From June 18 onward, the production was anchored by the spirited Olivera Krivokuća as Susanna and the luminous Ana Cvetković as the Countess. Cvetković gave a finely shaped, musically assured and emotionally resonant account of the role. She was particularly compelling in Porgi, amor and Dove sono, where her command of Mozartian line was especially evident: long, gracefully sustained phrases, finely calibrated dynamic shading, and an understated yet deeply dignified stage presence. Her performance brought both vocal poise and emotional depth to the Countess’s most introspective moments.
Critic by Mirko Jeremić
critique on serbian language: www.klasicnimirko.com/muzicke-kritike/cipelice-umesto-prepelica-mocartova-figarova-zenidba-u-srpskom-narodnom-pozoristu?
Ansambl je u podeli od 18. juna predvodila živahna Olivera Krivokuća kao Suzana i blistava Ana Cvetković u ulozi grofice. Cvetković je ostvarila muzikalno zaokruženo i emotivno upečatljivo tumačenje lika, a posebno se izdvojila u arijama Porgi, amor i Dove sono, koje je oblikovala sa osećajem za dugu mocartovsku frazu, suptilno nijansiranje dinamike i dostojanstvenu scensku prisutnost.